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https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1788214889544-7Q1ALC3SBVV12ES139RJ/036_Hallberg_Oct2024_6999.jpg arched diptychs https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1731614854109-23D9HZ0TTWPBUWO9N5PO/GalleryWall_07.jpg arched diptychs http://www.charlottehallberg.com/news daily 0.75 2026-08-31 https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/7b9ab8a5-1e6a-49d3-a2b2-88cff02fae4c/In+This+Dark+Wood+-+Invitation.jpg news - In This Dark Wood The Zadock Pratt Museum is pleased to present its annual summer group exhibition In This Dark Wood, opening August 1st, 2–4 p.m. Drawn in part from the opening lines of Dante’s Inferno, In This Dark Wood presents a group of 8 painters who approach the subject of landscape in an immersive point of view from their homes in the greater Catskill Mountain region. Set in opposition to the subject of the sweeping views favored by both the Hudson River School painters and Zadock Pratt himself, Angela Dufresne, Charlotte Halberg, Jason Kachadourian, Eileen Murphy, Joan Nelson, Alan Prazniak, Lisa Sanditz, David Whelan, and Kristen Wykoff instead explore that same subject from its interior. Rather than depicting the immediate aftermath of the industrial deforesting of the area (much of it brought upon by the commercial tanning industry on which Prattsville itself was founded), these works instead present the same woods nearly a century later - regrown, lush in vegetation and color, and framed in the contemporary lens that feels both inwardly looking and outwardly optimistic. These artists invite us in, to sit alongside them and see not only what they see but how they see it. Through this process, we begin to understand how we are part of the natural world, as our seeing is a type of participation. These works, by focusing on the process of participation, open a lens into the complexity of our environments. Each artist receives different forms from the observable reality they inhabit. Their ability to play with and question the material culled from this, invites our curiosity. The viewer is asked to take part in an entangled encounter with the ecology of our planet, not passively consume the work as a forgone conclusion. Concentration is a benefit of spending time in the forest, the sea, or the mountains. Nature unfolds rhythmically, and through immersive experience one can begin to have agency over their attention. Every painting in this show comes from a cultivated methodology of absorption, revealing the type of visual choices that can be made when one enters this type of state. Rather than deciphering the choices each artist has made, this show invites an embodied reception. “In this” implies a specificity; the wood referred to is both the referent and the work presented itself. This show invites one to be inside the confusion and trepidation that a dark wood implies. The artists here cannot depict nature because we know how little we know, but we can explore that which we do not know through sitting and bearing witness. Exhibition Dates: August 1st - September 27th, 2026 Location: Zadock Pratt Museum, Carriage House, 14540 Main Street, Prattsville, NY
 Opening Reception: August 1st, 2 pm - 4 pm
 Museum Hours: Saturday–Sunday, 11 PM – 4 PM and by appointmente. https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/dfe95553-ad7e-4f5b-b910-98141325b279/ON+THE+EDGE+flyer.jpg news - On The Edge On the Edge August 8th – September 12th, 2026 Sam Branden, Stacy Fisher, Charlotte Hallberg, Justine Hill, and Martha Tuttle SUNNY NY is pleased to present On the Edge, the inaugural exhibition at our new Lake Peekskill location. Featuring work by Sam Branden, Stacy Fisher, Charlotte Hallberg, Justine Hill, and Martha Tuttle, the exhibition will be on view from August 8 to September 12, 2026. Within the exhibition, each artist treats the support/structure of the painting as transformative. As opposed to painting’s long history of representing windows to an illusion, the artists included in On the Edge each beg the opposite: by emphasizing physical materials and non-rectangular supports to transcend the purely visual. Sam Branden uses place, specifically New York City, as inspiration for his paintings but also as the material for the painting. His compositions are often built from found materials from the city like discarded clothing and signage. Stacy Fisher’s painted hybrids blur the boundary between image and object. Improvisational brushwork on shaped wooden supports emphasize the physicality of her work. Through her shaped canvases, Charlotte Hallberg imagines a binocular vision of zooming in on an organic world, transcending beyond the purely physical to an almost synesthetic experience. Creating an extreme figure-ground relationship between the painting and the wall, Justine Hill layers painted, cut fabric shapes into a dense structure. The resulting shaped works incorporate the negative space of the wall into the composition. Martha Tuttle’s multimedia compositions integrate sculpture, textile and painting. Using natural materials and earthen pigments, Tuttle explores the tension between the organic and the constructed. The edge of the painting, often overlooked, here becomes ever important. In this liminal space, physical material and structure are most clearly witnessed. Sunny NY - 123 Lake Drive, Lake Peekskill, NY 10537 sunnygallery@gmail.com https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/a185758d-7c67-49da-b1ca-3ec954fa9b1f/3_painters.jpg news - 3 PAINTERS Clare Grill, Charlotte Hallberg, and Victoria Roth Curated by Mark Sengbusch April 26, 2025 - May 18, 2025 Opening Reception, April 25th, 2025, 6-8 PM Roth, Grill, and Hallberg explore Field, Air and Depth. They have a confidence in their paint application and a refreshing approach to composition, weight and texture. The 3 paintings in the show are both mysterious and present. You can enter the works and suspend disbelief or embrace the visceral paint and surface. Slate can be a veil too. Let’s look into, and hold, these 3 paintings by 3 Painters. Hallberg – Field. There is an overallness to her work that is both calming and claustrophobic at the same time. Your grandparent’s thick mattress in the sky. The feeling is full, heavy, but also weightless. The pattern hovers on the surface and buzzes where the shapes meet. The blending is not fussy, and her edges are intentionally nonchalant. This playfulness is in harmony with the bold overall shapes. Grill – Air. Where Hallberg’s work has a grandiose, almost cosmic, lack of scale, Grill’s paintings emit a mirrored intimacy, inspired by antique embroidery. Her mark-making shows the hand of the artist. Shapes and lines both blurry and sharp like those floaters behind your eyes. Feathery like banana leaves, the background in “Bit” is both dry and saturated – a duality which recurs. Roth – Depth. Now enter “Slither”. The composition and colors are just the right amount of wonky. They fill the field with room to breathe, but still shapes abut and overlap. This effect is achieved, like Hallberg, by paint application that allows the shapes to be amorphous but not disguised. These are, technically, formal devices – though imbued with the artist’s story. That is what makes all three painters masters of technique and composition. Their autobiographies inform the abstraction. Both Roth and Hallberg talk about a quantum state of being within and without – inside and outside simultaneously. And Grill speaks on Light, Shadow and the passage of time. She says “I paint in response to the painting”. I like this loop. This resonates. The painting can be both a window and an object – and the timeless record of creation. Like a compositional tesseract, the entry point is the whole mountain. Materiality and illusion, through texture and color, can coexist. These paintings can fold in on themselves and then open to challenge the time sense of the Painter and the viewer. Join us to view 3 Painters and phase through 3 Paintings at Field of Play in Gowanus, Brooklyn. Victoria Roth is a visual artist living and working in Brooklyn, NY. She grew up in France and received her MFA from Columbia University in 2014 and a BA in History of Art and Architecture and Visual Art from Brown University in 2008. In addition to her studio practice, Victoria Roth is an arts educator in New York City. Roth has exhibited her paintings and drawings nationally and internationally. She has held solo exhibitions and solo fair presentations with Broadway Gallery, NY (2023, 2022); Brennan & Griffin, NY (2019, 2017); fAN Kunstverein, Vienna, AT (2017); Lulu, Mexico City, MX (2016).Group shows at galleries and institutions such as Galería Marta Cervera, Madrid, ES (2024); Shin Gallery, NY (2024); Hesse Flatow, NY, (2024); Hales Gallery, NY (2023); Kate Werble Gallery, NY (2023); Bonner Kunstverein, Bonn, DE (2022); Galleria Anna Marra, Rome, IT (2022); 1969 Gallery, NY (2021); Palais de Tokyo, Paris, FR (2019); George Adams Gallery, New York, NY (2019); The Pit, Los Angeles (2018); Helena Anrather, NY (2018); Lulu, Mexico City, MX (2016) and more. Clare Grill (born 1979, Chicago, IL) received her MFA from the Pratt Institute in 2005 and attended the Skowhegan School of Painting and Sculpture in 2011. Recent solo exhibitions include Wich Language and Oyster, M+B, Los Angeles, CA; At the Soft Stages, Derek Eller Gallery, New York, NY; There's The Air, Derek Eller Gallery, New York, NY; and Touch'd Lustre, Zieher Smith & Horton, New York, NY. Group exhibitions include Of Flesh and Air, Marta Cervera Gallery, Madrid, Spain; The Feminine in Abstract Painting, Milton Resnick and Pat Passlof Foundation, New York, NY; Deep! Down! Inside!, Hales Gallery, NY; and New Skin, curated by Jason Stopa, Monica King Gallery, New York, NY. Her work has been reviewed in Artforum, ArtNews, Hyperallergic, the Brooklyn Rail, The New York Times, The Los Angeles Times, and The Boston Globe. Clare Grill lives and works in Queens, NY. Charlotte Hallberg received her MFA from Yale University, and her BFA from Rhode Island School of Design. Recent solo exhibitions include Touch Every Flower, Hesse Flatow, NY (2024), and Sharper Still, Ochi Projects, Los Angeles, CA (2022). She was an Annenberg Visual Arts Fellow from 2010-2012 and has been in residence at Yaddo, Saratoga Springs, NY. She currently sits on the Board of the Zaddock Pratt Museum in Prattsville, NY, where she lives and works. 3 Painters will be on view through May 18th. The gallery is open Sundays from 1-6 PM and by appointment. https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/a1e32b25-8f9e-44bb-9c4b-5288f7335318/Portrait_vertical_sm.jpg news - Make it stand out Photograph by Jenny Gorman, courtesy of Hesse Flatow. https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/39e98422-766d-4687-8a45-84f16b86c4e8/Sharper_Still_CH_Install news - SHARPER STILL OPENING RECEPTION: May 21, 5-8PM OCHI AUX: 3305 West Washington Blvd, Los Angeles, CA https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569805588986-WIV1GH5F4S4OUUHJAF1G/065_HesseFlatow_Sept2019.jpg news - BLIND AURA Opening September 19, 6-8pm September 19 - October 19 HESSE FLATOW 508 W 26th st, 5G https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806506995-C5GOSNADPWAV4Y2S94CO/061_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806537253-CLHU7VNOTW3XNSDWXA9M/065_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806503996-SAYHR8FI421BSA3KDLFK/053_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806467112-NNMDIKHRML4UBXN5WG24/045_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806474415-T1LV1LNFC11YR91Z8YTM/041_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806539986-KS2I7KL9RQN1B0N47DR1/047_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806486832-SLYRSYIHGG1HOB7FDJIB/050_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1569806554913-E4UXTB57E3AR9RC0YZX6/052_HesseFlatow_Sept2019.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1527903472113-YK8VOMES0FH3O8JEKJZL/IMG_6994.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1510152590708-P00A0IYZLLS3AWRXL8M6/ecard_noimages_IG.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1513602195280-3KY47U9072VAXSIPFESX/Screen%2BShot%2B2017-11-28%2Bat%2B9.17.35%2BPM.png news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1499605748455-LZ4F0T0UUJWHC22R8CWJ/image-asset.jpeg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1496546914739-VHG889MA2B921484NSHW/image-asset.png news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1464105063189-2Y9AKUTO28WM8WK8B8E4/image-asset.jpeg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1430741567793-9T3YB65HZICI7VGHQ1Q5/image-asset.jpeg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1425255065227-GA8O5M7J513R2TSRKS50/SBASinvite.jpg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1409841739382-DSP637A31E9BBDVVZXAW/image-asset.png news Cartoon i (visual fry), oil on panel, 2014 https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1430741680031-TZ3I17HD17RO96Z41B7P/image-asset.jpeg news https://images.squarespace-cdn.com/content/v1/53ac204de4b09fa26b05478e/1404958591845-HIZF54QLRXCT7S1J3WJF/image-asset.jpeg news http://www.charlottehallberg.com/new-page daily 0.75 2026-08-31 http://www.charlottehallberg.com/contact daily 0.75 2025-07-22